I primi contatti con gli inglesi avvenirono tra il 1852 e il 1853 a Roma, dove Costa incontrò George Mason e Frederic Leighton, che lo presenterà a molti suoi clienti e amici, tra cui i pittori Watts e Burne-Jones nel 1862. Durante l’inverno del 1865, a Roma conobbe anche George Howard, suo futuro allievo e mecenate. Leighton agevolava la partecipazione di Costa alle mostre della Royal Academy, mentre Howard lo aiutava a esporre alla Grosvenor Gallery. Tra il 1862 e il 1896, Costa compì almeno sette viaggi in Gran Bretagna. Prestigiosa fu la mostra monografica allestita a Londra dalla Fine Art Society nel 1882. Nel 1883-1884 si formò attorno alla figura di Costa la Scuola Etrusca, un gruppo di artisti italiani e inglesi, di cui diversi erano ospiti di Costa a Bocca d’Arno, dove l’artista risiedette d’estate a partire dal 1885. George Howard e il Rev. Stopford Brooke, altro importante mecenate del pittore romano, organizzarono una mostra postuma alla Royal Society of Painters in Water Colours di Londra nel 1904, e lo stesso anno, Olivia Rossetti Agresti pubblicò una monografia su Costa, in inglese.

Costa’s first contacts with the English date to between 1852 and 1853 in Rome, where he met George Mason and Frederic Leighton, who was to introduce him to many of his clients and friends, including George Frederick Watts and Edward Burne-Jones in 1862. During the winter of 1865, in Rome Costa also met George Howard, his future pupil and patron. Leighton assisted Costa in exhibiting at the Royal Academy, Howard in exhibiting at the Grosvenor Gallery. Between 1862 and 1896, Costa made at least seven trips to Great Britain. A one-man show at the Fine Art Society in 1882 gained him considerable prestige. In 1883-1884, the Etruscan School came into being around the figure of Costa, a group of Italian and English artists, of whom several were guests of his at Bocca d’Arno, where he took up regular summer residence as from 1885. George Howard and the Rev. Stopford Brooke, another important patron of the artist, organised a posthumous exhibition at the Royal Society of Painters in Watercolours in London, in 1904, and in the same year, Olivia Rossetti Agresti published a monograph on Costa, in English.

https://www.nicholls.it/800oltremanica/storie-anglo-italiane/storia-01.htm

1862: Londra (autunno-inverno).

1863: Wetley Abbey, Staffordshire (estate).

1877: Naworth, Warsash. Coombe Abbey, Kennilworth, Warwick, Guy’s Cliff, Charlecote (maggio-luglio).

1879: Londra, Warsash, Cumberland (giugno-novembre).

(?) 1882: Castle Howard (inizio di aprile).

1882: Naworth, Londra, (maggio-giugno).

1888: Naworth, Castle Howard, Londra (novembre-dicembre).

1896: Londra (giugno-luglio).

Agresti Olivia Rossetti, Alma-Tadema Lawrence, Armstrong Thomas, Beaumont Somerset Archibald, Brooke Rev. Stopford Augustus, Burne-Jones Edward, Cartwright William Cornwallis, Cartwright Julia, Corbett Edith, Corbett o Corbet Matthew Ridley, Dene Dorothy, Devey Lord, Devitt T.L, Fleming George, Freshfield Douglas, Fry Roger, Gilbert Alfred, Gower Lord Ronald Sutherland, Hallé Charles Edward, Hodgson James Stewart, Howard George James, Hulton Zina e Willy, James Walter, Lord Northbrook, Leighton Lord Frederic, Lindsay Sir Coutts, Lucas Arthur, Mason George Heming, Middleton Mrs, Morris William, Ralli P., Reiss James, Rendel G.W, Richmond William Blake, Ripon Marquis of, K.G, Ruskin John, Rutson Mrs, Sartoris Edward John, Smith Eustace, Smith George Murray, Spartali Lisa, Spartali Marie, Stillman Effie, Stillman William James, Trevelyan J.M, Trist John Hamilton, Vedder Elihu, Watts George Frederick, Westlake Mrs, Wharncliff Lord Edward Montagu, Wyndham Percy

2, Holland Park Road (1869, 1870, 1874, 1876, 1877, 1879, 1882, 1883: Frederic Leighton)

I, Palace Green, Londra (1879: George Howard)

Castle Howard, York (1888: George Howard)

Naworth Castle , Brampton, Cumberland (1877, 1879, 1882, 1888: George Howard)

Dublino (1899), Glasgow (1901), Liverpool (1874, 1879, 1888, 1889, 1893), Londra (1869, 1870, 1871, 1874, 1876, 1877, 1878, 1879, 1880, 1881, 1882, 1883, 1884, 1885, 1886, 1887, 1888, 1889, 1890, 1891, 1892, 1893, 1894, 1895, 1896, 1897, 1898, 1899, 1900, 1901, 1902, 1904, 1907, 1908, 1909, 1920, 1934, 1969), Manchester (1879, 1895, 1898), Oldham (1883), Wolverhampton (1902)

s.a., Liverpool Corporation Autumn Exhibition of Pictures, in “The Art Journal”, 1874, p. 334.

s.a., The Royal Academy. Second Notice, in “The Art Journal”, 1874, p. 199.

H. Blackburn, Royal Academy Notes, 1876.

W.M. Rossetti, Fine Art. The Royal Academy, in “The Academy”, vol. IX, 27 maggio 1876, p. 519.

H. Blackburn, Grosvenor Notes, 1877.

S. Colvin, The Grosvenor Gallery, in “The Fortnightly Review”, vol. XXI 1877, p. 832.

s.a., The Royal Academy. First Notice, in “The Athenaeum”, 5 maggio 1877, p. 582.

s.a., Grosvenor Gallery Exhibiton, in “The Athenaeum”, 5 maggio 1877, p. 583.

H. Blackburn, Grosvenor Notes, 1878.

s.a., Fine Art Gossip, in “The Athenaeum”, 30 novembre 1878, p. 695.

T. Taylor, Royal Academy Exhibition, in “The Graphic”, vol.19 (gennaio-giugno) 1879, p. 535.  

s.a., The Royal Academy. First Notice, in “The Athenaeum”, 3 maggio 1879, p. 572.

s.a., Grosvenor Gallery Exhibition. Second Notice, in “The Athenaeum”, 10 maggio 1879, p. 607.

H. Blackburn, Royal Academy Notes, 1879.

G.R. Halkett, The Walker Gallery Notes, Liverpool 1879, pp. 16, 21.

red., Directory of Artists, in “The Year’s Art”, 1880-1889, ad vocem.

s.a., Grosvenor Gallery Exhibition, in “The Athenaeum”, 8 maggio 1880, p. 606.

W. Meynell, The Homes of Our Artists. Sir Frederick Leighton’s House in Holland Park, in “The Magazine of Art”, vol. IV, 1881, pp. 169-176.

s.a., Grosvenor Gallery Exhibition. First Notice, in “The Athenaeum”, 30 aprile 1881, p. 599.

H. Blackburn, Royal Academy Notes, 1882.

G. Fleming, Notes on a Collection of pictures by Prof. G.Costa, Londra 1882.

s.a., The Costa Collection, in “The Art Journal”, 1882, p. 221.

s.a., The Exhibitions, in “The Magazine of Art”, vol. V, 1882, p. 352.

s.a., The Costa exhibition, in “The Magazine of Art”, vol. V, 1882, p. 396.

s.a., Current Art, in “The Magazine of Art”, vol. V, 1882, p.  472.

s.a., Fine Art Gossip, in “The Athenaeum”, 18 marzo 1882, p. 355.

s.a., Works by Prof. Costa, in “The Artist”, 1 maggio 1882, pp. 206-207.

s.a., Grosvenor Gallery Exhibition, in “The Athenaeum”, 20 maggio 1882, p.  642.

s.a., The Royal Academy, in “The Athenaeum”, 3 giugno 1882, p. 705.

s.a., The landscapes of Sig. Costa, in “The Athenaeum”, 3 giugno 1882, p. 707.

s.a., Royal Academy Exhibition, in “The Illustrated London News”, 10 giugno 1882, p. 575.

J. Cartwright, Giovanni Costa. Patriot and Painter, in “The Magazine of Art”, vol.VI, 1883, pp. 24-30.

C. Monkhouse, A PreRaphaelite Collection, in “The Magazine of Art”, vol. VI, 1883, pp. 62-70.

s.a., Grosvenor Gallery, in “The Art Journal”, 1883, p. 204.

s.a., Fine Arts. The Grosvenor Gallery Exhibition (First Notice), in “The Athenaeum”, 28 aprile 1883, p. 548.

s.a., Grosvenor Gallery Exhibition. Second Notice, in “The Athenaeum”, 12 maggio 1883, pp. 609-610.

s.a., Current Art, “The Magazine of Art”, vol. VII, 1884, p. 395.

s.a., Grosvenor Gallery, in “The Times”, 1884.

S. Colvin, The pictures at Palace Green, in “The Magazine of Art”, vol. VII, febbraio 1884, pp. 83-88.

s.a., Grosvenor Gallery Exhibition, in “The Athenaeum”, 3 maggio 1884, p. 573.

s.a., Grosvenor Gallery Exhibition. Concluding notice, in “The Illustrated London News”, 24 maggio 1884, p. 514.

s.a., Studios in Rome: Sig. Costa’s, in “The Architect”, 14 giugno 1884, vol. 34, pp. 381-382.

H. Blackburn, Grosvenor Notes, 1885.

C. Phillips, Arnold Boecklin, in The Magazine of Art”, vol. VIII, 1885, p. 442.

s.a., Current Art II, in “The Magazine of Art”, vol. VIII, 1885, p. 390.

s.a., Grosvenor Gallery Exhibition, in “The Athenaeum”, 25 aprile 1885, p. 540. 

s.a., The Pictures of 1885 and the Men who Paint Them, in “The Pall Mall Gazette – Extra”, 4 maggio 1885, n. 17.

s.a., The Grosvenor Gallery, in “The Illustrated London News”, 23 maggio 1885, p. 544.

N. Barstow, The Romance of Art. The forgeries of Bastianini, in “The Magazine of Art”, vol. IX, 1886, pp. 503-508.

H. Blackburn, Grosvenor Notes, 1886.

s.a., Grosvenor Gallery, in “The Art Journal”, 1886, p. 188.

s.a., Current Art, in “The Magazine of Art”, vol. IX, 1886, pp. 349-350.

s.a. The Grosvenor Gallery, in “The Illustrated London News”, 8 maggio 1886, p. 498.

C. Monkhouse, Fine Art. The Grosvenor Gallery, in “The Academy”, 15 maggio 1886, p. 350.

s.a., Grosvenor Gallery Exhibition. Second and concluding notice, in “The Athenaeum”, 15 maggio 1886, p. 651.

C. Phillips, Fine Art. The Royal Academy III, in “The Academy”, 29 maggio 1886, p. 384.

H. Blackburn, Grosvenor Notes, 1887.

J. Cartwright, The Art of Costa, in “The Portfolio”, 1887, vol. XVIII, pp. 147-151.

s.a., Grosvenor Gallery, in “The Art Journal”, 1887, pp.187, 283.

s.a., Current Art – IV, in “The Magazine of Art”, 1887, p. 378.

C. Monkhouse, Fine Art. The Grosvenor Gallery, in “The Academy”, 14 maggio 1887, p. 349

s.a., Fine Arts. The Grosvenor Exhibition, in “The Athenaeum”, 21 maggio 1887, p. 614.

H. Blackburn, New Gallery Notes, 1888, p.31.

T. Carew Martin, Introduction, in “The Italian Exhibition in London. 1888. The Official Art Catalogue”, Londra 1888.

L. Chirtani, Gli artisti italiani a Londra, in “Ricordo della Esposizione Italiana Londra 1888. Numero speciale dell’Illustrazione Italiana”, Milano 1888, p. 22.

s.a., New Gallery, in “The Art Journal”, 1888, p. 222.

s.a., Fine Arts. The Grosvenor Exhibition (Second and Concluding Notice), in “The Athenaeum”, 19 maggio 1888, p. 639.

s.a., The New Gallery, in “The Illustrated London News”, 26 maggio 1888, p. 573.

C. Monkhouse, Fine Art. The New Gallery, in “The Academy”, 2 giugno 1888, p. 383.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 2 giugno 1888, p. 701.

H. Blackburn, New Gallery Notes, 1889.

S.A. Brooke, A note by Stopford Brooke on the picture by Professor Giovanni Costa entitled Twilight on the Campagna and on a mezzotint scraped from it by Frank Short, Londra, s.d. (1889).

s.a., New Gallery, in “The Illustrated London News”, 4 maggio 1889, p. 554.

s.a., Fine Arts. The New Gallery (First Notice), in “The Athenaeum”, 11 maggio 1889, p. 606.

s.a., New Gallery. Second Notice, in “The Illustrated London News”, 18 maggio 1889, p. 627.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 25 maggio 1889, p. 669.

H. Blackburn, New Gallery Notes, 1890.

A. Higgins, W.B. Richmond, in “The Art Journal”, 1890, pp. 193-198.

C. Phillips, The Summer Exhibitions at home and abroad. III, in “The Art Journal”, 1890, p. 219.

M.H. Spielmann, Current Art: The New Gallery, in “The Magazine of Art”, vol. XIII, 1890, p. 308.

s.a., Fine Art Gossip, in “The Athenaeum”, 5 aprile 1890, p.443.

s.a., The New Gallery, Regent’s St. (First Notice), in “The Athenaeum”, 3 maggio 1890, p. 575.

W.G., The New Gallery, in “The Art Weekly”, 3 maggio 1890, p. 87.

s.a., New Gallery Exhibition. Second and Concluding Notice, in “The Athenaeum”, 10 maggio 1890, p. 613.

H. Blackburn, New Gallery Notes, 1891.

red., Directory of Artists, in “The Year’s Art”, 1891, ad vocem.

s.a., The Summer Exhibitions at Home and Abroad. III. The Royal Academy and the New Gallery, in “The Art Journal”, 1891, p. 193.

s.a., Fine Arts Gossip, in “The Athenaeum”, 2 maggio 1891, p. 580.

s.a., Fine Arts. The New Gallery, in “The Athenaeum”, 9 maggio 1891, p. 611.

H. Blackburn, New Gallery Notes, 1892. 

red., The Vale of Ariccia, in “European Pictures of the Year. Foreign Art Supplement to the“Magazine of Art”, Londra, Parigi e Melbourne 1892, p. 52, ripr.

s.a., New Gallery autumn exhibition, in “The Art Journal”, 1892, p. 378.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 28 maggio 1892, p. 701.

s.a., The New Gallery, in “The Graphic”, 6 maggio 1893, p. 495.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 27 maggio 1893, p. 677.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 23 giugno 1894, p. 810.

H. Blackburn, New Gallery Notes, 1895.

s.a., Fine Arts. The New Gallery, in "The Athenaeum”, 27 luglio 1895, p. 136.

s.a., Other London Exhibition, in “The Art Journal”, 1896, p. 189.

s.a., The Chronicle of Art, in “The Magazine of Art”, vol. XIX, 1896, p. 231.

F.G. Stephens, Current Art, in “The Magazine of Art”, vol. XIX, 1896, p. 337.

s.a., Fine Arts. The new Gallery (First Notice), in “The Athenaeum”, 2 maggio 1896, p. 591.

New Gallery Exhibition (?), in “The Times”, 18 maggio 1896.

s.a., Fine Arts. The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 30 maggio 1896, p. 719.

s.a., The Chronicle of Art, in “The Magazine of Art”, vol. XX, 1897, pp. 228, 231, ripr.

G. Costa, Notes on Lord Leighton, in “The Cornhill Magazine”, marzo 1897, pp.  373-384.

s.a., Fine Arts. The Royal Academy (First Notice), in “The Athenaeum”, 1 maggio 1897, p. 582.

s.a., The New Gallery (Second and Concluding Notice), in “The Athenaeum”, 22 maggio 1897, p. 687.

A. Rollins Willard, History of Modern Italian Art, Londra, New York e Bombay, 1898.

s.a., Fine Arts. The New Gallery, in “The Athenaeum”, 7 maggio 1898, p. 604.

s.a., Fine Arts. The New Gallery, in “The Athenaeum”, 6 maggio 1899, p. 569.

s.a., Fine Arts. The New Gallery, in “The Athenaeum”, 28 aprile 1900, pp. 533, 535.

A. Graves, A Dictionary of Artists who have Exhibited Works in the Principal London Exhibitions from 1760 to 1893, Londra 1901 (ristampa 1973), ad vocem.

H. Lascelles, The Life and Work of Sir William Blake Richmond, in “The Christmas Art Annual. The Art Journal”, Londra 1902, p. 13.

L. Villari, Italian Life in Town and Country, Londra 1902.

s.a., Fine Arts. The New Gallery, in “The Athenaeum”, 17 maggio 1902, p. 632.

O. Rossetti Agresti, The Art of the Late Giovanni Costa, in “The Studio”, vol. XXVIII, n. 122, maggio 1903, pp. 237-249.

J. Cartwright Ardy, Costa His Life and Art, in “The National Rewiew”, 1904, pp. 273-292.

A. Corkran, Frederic Leighton, Londra 1904.

O. Rossetti Agresti, Giovanni Costa, His Life, Work and Times, Londra 1904.

s.a., Notable Works of Art in the July Exhibitions, in “The Burlington Magazine”, aprile-settembre 1904, vol. V, p. 427.

s.a., A Costa Exhibition, in “The Times”, 5 luglio 1904.

s.a., Art. Giovanni Costa, in “The Times. Literary Supplement”, 8 luglio 1904.

N.S., The Old Water-colour Society, in “The Athenaeum”, 16 luglio 1904, p. 87.

W.M, Art Notes, in The Illustrated London News”, 16 luglio 1904, vol. CXXV, p. 100.

F. Rinder, London Exhibitions, in “The Art Journal”, settembre 1904, p. 297-298.

s.a., A Painter’s Column, in “The Illustrated London News”, 26 novembre 1904, p. 774.

A. Graves, The Royal Academy of Arts. A complete dictionary of contributors and their work from its foundation in 1769 to 1904, Londra 1905, vol. II (ristampa 1970), ad vocem.

s.a., Giovanni Costa, in “The Art Journal”, 1905, p. 20.

M. Russell Barrington, The Life, Letters and Work of Frederic Leighton, Londra, 1906.

W. Crane, An Artist’s Reminiscences, Londra 1907.

C.E. Hallé, Notes from a Painter’s Life, Londra 1909.

E. Vedder, The Digressions of V., written for his own fun and that of his friends, Londra Boston e New York 1911.

M.C. Salaman, Pictures and Etchings of the Hon. Walter James, A.R.E., in “The Studio”, vol. LIV, n. 224 (novembre 1911), 1912, pp. 103-110.

L.M. Lamont, Thomas Armstrong. A Memoir, Londra 1912.

A. Graves, A Century of Loan Exhibitions 1813-1912, Londra 1913-1915 (ristampa 1970), 3 volumi, ad vocem.

L.P. Jacks, Life and Letters of Stopford Brooke, vol. II, Londra 1917.

W.B. Richmond, Assisi – Impressions of half century, Londra 1919.

H. Zimmern, Italy of the Italians, Londra, Bath, Melbourne e New York 1920.

W. James, The Development of Modern Landscape, in “Charlton Lecture on Art”, Oxford 1925.

A.M. Stirling, The Richmond Papers, Londra 1926.

I. McAllister, Alfred Gilbert, Londra 1929.

Ancient and Modern Pictures and Drawings, the Property of the Late Douglas W.Freshfield, catalogo della mostra, Londra 1934.

M. Lucas, Two Englishwomen in Rome 1871-1900, Londra 1938.

George Howard – Commemorative Exhibition, catalogo della mostra, Carlisle 1954.

M. Borgiotti, E. Cecchi, The Macchiaioli. The First “Europeans” in Tuscany, Firenze 1963.

George Howard and his Circle, catalogo della mostra, Carlisle 1968.

An exhibition of a selection of the work of George Howard, ninth Earl of Carlisle, catalogo della mostra, Cockermouth 1973.

The Art Journal, Spring, 1973.

Later 19th Century British Landscape. The Etruscan painters, catalogo della mostra, Cockermouth 1974.

R. Billingham, The Life and Work of George Heming Mason, University of Leicester, ottobre 1975 (tesi non pubblicata).

L. Ormond, R. Ormond, Lord Leighton, New Haven Londra 1975.

I. Spencer, Walter Crane, Londra 1975.

Centenary Exhibition, catalogo della mostra, Londra 1976.

The Etruscan School, catalogo della mostra, Londra 1976.

George Howard, 9th Earl of Carlisle, 1843-1911, catalogo della mostra, Londra 1977.

The Etruscan School 1870-1900. English Artists working in Rome, catalogo della mostra, Carlisle 1978.

George Heming Mason, Stoke-on-Trent 1982.

Nino Costa ed i suoi amici inglesi, catalogo della mostra, a cura di S. Berresford, P. Nicholls, Milano 1982.

K. Flint, Impressionists in England, Londra, Boston, Melbourne e Henley 1984.

S. Berresford, Italia: cultura e paesaggio, in “L’eterno ritorno”, catalogo della mostra a cura di L.H. Bimm, Roma 1987, pp. 9-12.

N. Broude, The Macchiaioli: Italian painters of the nineteenth century, New Haven Londra, 1987.

A. Emanuel, A Bright Remembrance, Londra 1989.

P. Nicholls, Nino Costa e i “frati” inglesi, in “Ottocento N. 18. Cronache dell’arte italiani dell’Ottocento”, Milano 1989, pp. 96-98

The Etruscans. Painters of the Italian Landscape 1850-1900, catalogo della mostra, Stoke in Trent 1989.

C. Newall, The Grosvenor Gallery Exhibitions. Change and Continuity in the Victorian Art World, Cambridge (Inghilterra), 1995.

S.P. Casteras, C. Denney, The Grosvenor Gallery. A Palace of Art in Victorian England, New Haven e Londra 1996.

C. Dakers, The Holland Park Circle, New Haven e Londra 1999.

G. Pieri, The influence of Pre-Raphaelitism in “fin de siècle”Italy Art, Beauty and Culture, Londra 2007.

P. Nicholls, Nino Costa e il collezionismo inglese, in “Da Corot ai Macchiaioli al Simbolismo. Nino Costa e il paesaggio dell’anima”, catalogo della mostra, Milano 2009.

George Howard. 9th Earl of Carlisle (1843-1911). Artist & Aristocrat. A Centenary Exhibition, catalogo della mostra, York 2011.

G. Pieri, The Letters of Giovanni (Nino) Costa to George Howard, 9th Earl of Carlisle 1876-1902, in “The Walpole Society”, Volume 76, Londra 2014.

A. Schmidt, Nino Costa (1826-1903). Transnational Exchange in European Landscape Painting, Milano 2016.

Carteggio Signorini (Biblioteca Nazionale Centrale, Firenze).

Documenti e lettere varie (Castle Howard Archives, Castle Howard, York).

Documenti e lettere varie (Archivio Paul Nicholls, Milano).

http://www.nicholls.it/nino-costa/index.htm

https://artuk.org/discover/artworks/view_as/grid/search/keyword:giovanni-costa

https://www.britishnewspaperarchive.co.uk/search/results?basicsearch=prof%20giovanni%20costa&retrievecountrycounts=false

Campagna Romana near Acqua Acetosa (1883 circa), William Morris Gallery, Londra.

Coastal Scene, Italy, Bath Royal Literary and Scientific Institution, Bath.

The Ruins of Nettuno, Bath Royal Literary and Scientific Institution, Bath.

View of Monte Amiata, Tuscany (1880 circa), Ashmolean Museum of Art and Archaeology, Oxford.

Ruins in the Colli Albani, Ashmolean Museum of Art and Archaeology, Oxford.

A Winter Evening on the Sands at Ardea (1853-1874), Study from Nature, Fontainebleau (1863), Evening at Amara Lunga, Lerici (1878-1882), The Faraglioni Rocks from Capri- an October Morning (1875-1877), Faun Whistling to a bird, Frate Francesco e Frate Sole (1886), An Idyll, A Morning at Botri, near Lerici (1878-1881), On the Shore, Bocca d’Arno (1900 circa), San Giovanni in Laterano, Roma (1881-1884 circa), Twixt Summer and Autumn, Pisa (1886), A Summer Evening, Castle Howard, York.

Brugnoletta in Noonday Repose at the Cavern Door, Leighton House Museum, Londra.